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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. Eastman school of the Univ. of Rochester, 1964. 1965. | diss. |
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| | 2. | Cressy, Thomas | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract. | diss. | 123, 70, 2p |
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| | 3. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. | diss. |
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| | 4. | Kroetsch, Terence R. | A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. MA diss., University of Western Ontario, 1996. v, 136p. | diss. | v, 136p |
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| | 5. | Ward, Lois Janette | A Bassoon Performance Edition of Three Suites for Violincello [sic] Solo (BWV 1007-1009) by Johann Sebastian Bach. M.A. thesis, Central Missouri State University, 1979. iv, 75p. OCLC#: 28493125. | diss. | iv, 75p |
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| | 6. | Wampler, Stephen G. | A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. DMA, Performance, University of Washington, 1998. vi, 204 p. | diss. | vi, 204p |
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| | 7. | Hughes, Indra Nicholas Martindale | Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. DMA diss., University of Auckland, 2006. viii, 188p. | diss. | viii, 188p |
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| | 8. | Fjerstad, Helen Luvaas | A chronology of J. S. Bach's organ fugues by external and stylistic evidence. PhD diss., Iowa City, Iowa, The Univ. of Iowa 1979. 258p | diss. | 258p |
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| | 9. | Mulbury, David | A collection of organ music by pupils of J. S. Bach. DMA diss., Musicology. Eastman School of Music 1969. 102, 89p | diss. | 102, 89p |
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| | 10. | Ham, Jimin | A comparative analysis of J. S. Bach's three partitas for solo violin. DMA diss., University of Cincinnati, 2003. 72p. Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-50884-9. Dissertation No: 3103316. | diss. | 72p |
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| | 11. | Gluckman, Isidore B. | A Comparative Study of Five Piano Works by Bach, Beethoven and Liszt. MA diss., San Jose State University, 1995. 71p | diss. | 71p |
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| | 12. | Cseszko, Ferenc Patrick | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. DMA diss. The University of Wisconsin - Madison, 2000. ii, 81p. | diss. | ii, 81p |
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| | 13. | Van Wyk, Theodore Justin | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. MMus diss., University of Pretoria. 2000. | diss. |
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| | 14. | Holler, Ann K. | A comparative study of selected Bach and Klengel fugues. M.M. diss., University of Tennessee, Knoxville, 1992. viii, 69p. | diss. | viii, 69p |
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| | 15. | Zyl, Sonia van | A comparative study of the use of ornamentation in two works by J.S. Bach in a South African context. MMus diss., University of the Witwatersrand, 2015. xi, 125p. | diss. | xi, 125p |
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| | 16. | McNulty, Loretta Jean Wood | A Comparative Study on Bach Transcriptions of Schönberg, Webern, and Strawinsky. MMus diss., Bloomington: Indiana University 1978. 90p. | diss. | 90p |
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| | 17. | McDonald, William Rudd | A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. PhD diss., University of Kansas, 1998. xiv, 368p. - Ann Arbor: University Microfilms International, 1999. ISBN: 0-599-31933-X. Dissertation No: 9931933. [BWV 1009] | diss. | xiv, 368p |
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| | 18. | Lee, Joong-Oh | A comparison of selected editions of Johann Sebastian Bach's Unaccompanied cello suite number six in D major BWV 1012 transcribed for the viola: a doctoral essay. DMA diss., University of Miami, 2004. xvi, 132p. - Ann Arbor, MI: University Microfilms International (UMI), ISBN: 0-496-72664-1. | diss. | xvi, 132p |
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| | 19. | Sircy, Virginia Rice | A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others. DMA diss., North Texas State Univ. 1980. x, 62p.; Ann Arbor, Mich. [usw.]: Univ. Microfilms Internat., 1982. | diss. | x, 62p |
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| | 20. | Leckie, Thomas Conley | A Comparison of Thematic and Episodic Analyses of the Bach two-part Inventions. PhD diss., University of Oklahoma, 1980. 212p. | diss. | 212p |
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| | 21. | Bruderer, Conrad | A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. DM Diss. Piano Performance. Bloomington, Indiana University, 1969. 173p | diss. | 173p |
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| | 22. | Kong, Joanne Lan-Funn | A comparison of the technical and interpretive qualities of the piano and harpsichord, accompanied by performance editions of the 'Chromatic fantasy and fugue' (BWV 903) by Johann Sebastian Bach. DMA diss., Piano performance: Univ. Oregon, 1986. xii, 139p. | diss. | xii, 139p |
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| | 23. | Choi, Jeeyoon | A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. DMA diss., Boston University, 2007. 315p. - Ann Arbor, MI: University Microfilms International, 2007. Dissertation No: 3259813. | diss. | 315p |
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| | 24. | Gabrielse, Kenneth J. | A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. DMA diss., New Orleans Baptist Theological Seminary. 1996. 123p. UMI No. DA9640215 | diss. | 123p |
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| | 25. | Deyton, Timothy Jack | A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. DMA diss., Southwestern Baptist Theological Seminary, 2001. xv, 199p. ISBN: 0-493-45819-0. | diss. | xv, 199p |
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| | 26. | Simpson, Will M.B. | A conductor's guide to J.S. Bach's cantata 150 'Nach Dir, Herr, Verlanget Mich'. DA diss., Ball State University, 2008. 173p. - Ann Arbor, MI: University Microfilms International, 2008; ISBN: 978-0-549-50020-9; Dissertation No: 3303361. | diss. | 173p |
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| | 27. | Cheng, Wei | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. DMA diss, University of Cincinnati, College-Conservatory of Music: Conducting, Choral Emphasis, 2006. 113p. | diss. | 113p |
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| | 28. | Rhyne, David Ernest | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. DMA diss., University of Miami, 2007. 326p. Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-06448-0. Dissertation No: 3267723. | diss. | 326p |
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| | 29. | Eder, Terry Edward | A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. DMA diss., Univ. of Oklahoma, 1979. 247p | diss. | 247p |
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| | 30. | Fall, Henry Cutler | A Critical-Bibliographical Study of the Rinck Collection. MA. diss., Yale Univ., 1958. (type script) | diss. |
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| | 31. | Ellis, Phillip | A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5. MMus diss., Goldsmith College, University of London, 1978. | diss. |
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| | 32. | Curtiss, Lola Winchell | A critical study of a manuscript collection of keyboard music dated 1688: from the Lowell Mason Library, Yale University. MA diss., Yale University, 1937. 66, xii leaves, [12] plates. (typescript) | diss. | 66, xii Bl |
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| | 33. | Yoon, Soomee | Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. DMA diss., Univ. of North Texas, Denton, 1994. 79p - Ann Arbor, Mich.: UMI, 1994. xi, 67p. AAT 9517661 | diss. | xi, 67p |
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| | 34. | Covington, David Lee | A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. PhD diss., Florida State U., 1993. 189 p. | diss. | 189p |
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| | 35. | Knox, Robert Erskine | Aeolus Appeased: A Modern Scenographic Concept. diss. Carbondale: Southern Illinois U, 1991. | diss. |
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| | 36. | Schüllerová, Silvie | Afektová teorie a hudebnì rétorické figury. [Doctrine of Affections and Musical-Rhetorical Figures] PhD thesis, Faculty of Education, Masaryk University, Brno. 2006. 208p. | diss. | 208p |
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| | 37. | Kao, Phyllis Shu | Affective Gesture in J. S. Bach's Keyboard Music with Special Reference to Selected Works in D Minor. by Phillis Shu KAO. MPhil diss., University of Hong Kong, 1995. v, 178p. | diss. | 186p |
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| | 38. | Sollenberger, Elizabeth Travis | A Graded Analysis of the Organ Preludes and Fugues of Johann Sebastian Bach for Teachers and Students Providing a Compendium of Increasingly Difficult Performance Problems. MA diss., The American University, 1970. 88p | diss. | 88p |
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| | 39. | Corra, Arthur B. | A guide to the performance of Bach's B Minor Mass. DMus diss., Instrumental Conducting. Indiana University, 1968. 256p. | diss. | 256p |
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| | 40. | Hicks, Eric Michael | A historical perspective on unity in the keyboard partitas of Johann Sebastian Bach. DMA doc., U. of Texas, Austin, 1993. 317p. UMI No. DA9400833. | diss. | 317p |
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| | 41. | Ho, Shao Ying | A Historiography of Musical Historicism: The Case of Johannes Brahms. MA diss., Texas State University, San Marcos, 2013. xi, 133p. | diss. | xi, 133p |
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| | 42. | Aspaas, Christopher Paul | A history of the Oregon Bach Festival. PhD, Florida State University, 2004. - Ann Arbor, MI: University Microfilms International, 2004. 318p. ISBN: 0-496-94092-9. UMI No. 3160542. | diss. | 318p |
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| | 43. | Sweetkind, David | Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. PhD diss., Tallahassee: Florida State University, 1968. | diss. |
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| | 44. | Ward, William Reed | Altered chords in the 371 chorale harmonizations of J. S. Bach. MMus diss., University of Rochester, 1942. v, 88p. | diss. | v, 88p |
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| | 45. | Dadelsen, Georg von | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. Freie Universität Berlin, Phil. F., Diss. v. 13. Okt. 1951 (Nicht f. d. Aust.). - 138 gez. Bl. [Maschinenschr.] (unpublished) | diss. | 138p |
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| | 46. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma, 2003, viii, 133p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-30745-7. Dissertation No: 3082934. | diss. | 133p |
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| | 47. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023] | diss. | 105p |
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| | 48. | Harlow, Julia Tikker | A musician's introduction to Baroque dance. DMA doc., U. of Oregon, 1993. 139p. | diss. | 139p |
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| | 49. | Potgieter, Zelda | Analyses of selected works from the Well-tempered clavier of J.S. Bach: A synthesis of existing approaches. DPhil diss., Univ. of Port Elizabeth, 1999. 2 vols. 449, 58 p. | diss. | 449, 58p |
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| | 50. | Stange-Elbe, Joachim | Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. Univ. Osnabrück, Habil.-Schr., 1999. | diss. |
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| | 51. | Trolier, Kimberly Ann | Analytical topics in Bach's flute sonatas. DMA diss., Temple University, 2001. 79p | diss. | 79p |
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| | 52. | Gaughan, Warren John | An analysis of George Rochberg's Carnival music: Suite for piano solo. DMA diss., Arizona State University, 2005. Ann Arbor, MI: University Microfilms International, 2005. 75p. ISBN: 0-542-01347-9. [BWV 795] | diss. | 75p |
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| | 53. | Tretick, Sidney J. | An analysis of performance practices for the Johann Sebastian Bach chaconne based upon the Anna Magdalena Manuscript. Univ. of Colorado 1958, 79p - Ann Arbor: Univ. Microfilms 1958. (= Ann Arbor Microfilms. LC No. Mic 58-1246) [BWV 1004/5] | diss. | 79p |
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| | 54. | McFarland, James Harold | An analysis of two twentieth-century German organ compositions on the B-A-C-H motive composed by Heinz Wunderlich and Hans-Ludwig Schilling. DMA diss., University of Kentucky, 2005. - Ann Arbor, Mich: UMI, 2006. viii, 148p. ISBN: 0-542-26992-9. | diss. | viii, 148p |
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| | 55. | Murphy, Eliana Maria | An Analytical Comparison of the Variation Movement from Ludwig van Beethoven's Piano Sonata in E Major, Op. 109 to Johann Sebastian Bach's Aria mit verschiedenen Veranderungen, BWV 988 ('Goldberg Variations'). DMA diss., University of Cincinnati, College-Conservatory of Music, 2013. xv, 122p. | diss. | xv, 122p |
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| | 56. | Schreiner, Frederick | An analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach. DM Dissertation - Indiana University, 1980. 118p. | diss. | 118p |
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| | 57. | Lu, Chia-Neng | An Analytical Study of Bach-Busoni Toccata and Fugue in D minor, BWV 565. Lecture Recital Report [MA diss.], National Sun Yat-sen University, 2015. viii, 68p. | diss. | viii, 68p |
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| | 58. | Williams, Janet Leslie | An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. MM diss., Duquesne University, 1969. 169p | diss. | 169p |
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| | 59. | Rabin, Judy Ellen | An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'. MA thesis, State University of New York at Binghamton, 1975, 144p. | diss. | 144p |
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| | 60. | Evans, Margaret Ruth | An Annotated List of Sacred Cantatas: 1960 - 1976. DMA diss., Rochester, N. Y.: Eastman School of Music, 1978. 688p. | diss. | 688p |
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| | 61. | Maxwell, H. John | An artificial intelligence approach to computer-implemented analysis of harmony in tonal music. PhD diss., Music theory: Indiana Univ., 1984. 297p [DA 85-06119.] | diss. | 297p |
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| | 62. | Grönlund, Aapo | An evaluation of Wiedeburg's Method of Diminution for the purpose of stylistic composition: Embellishing Descending-Fifths Sequences in the Style of Bach's Two-part Inventions. MA diss., University of the Arts Helsinki, 2019. iv, 41p. | diss. | iv, 41p |
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| | 63. | Kaplan, Harriet Marlene | An Examination of Johann Sebastian Bach's Fifth and Sixth Suites for Solo Cello, BWV 1011 and 1012. Univ. of Cincinnati, 1994. 98p | diss. | 98p |
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| | 64. | Ebicioglu, Kemal | An expert system of harmonization of chorales in the style of J. S. Bach. PhD diss., Computer science: State Univ. of New York, Buffalo, 1986. 297p. DA 9609106. | diss. | 297p |
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| | 65. | Roueche, Michelle Renee | An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. DMA diss., Arizona State University, 1996. 69p | diss. | 69p |
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| | 66. | Muller, Stephanus Jacobus van Zyl | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. MMus diss., University of South Africa, 1997. | diss. |
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| | 67. | Mains, Ronda Miller | An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. DMA doc., U. of Oregon, 1993. 281p. UMI No. DA9402035. [BWV 1030, 1032, 1034, 1035, 1079] | diss. | 281p |
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 | 68. | Hasse, Michaela | Anna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts von Michaela Hasse. - Münster, Univ., Schriftl. Hausarb., 1993. 82, [35] Bl. | diss. | 82, 35 Bl |
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| | 69. | Loeser, Annekatrin | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. PhD diss., Berlin: Humboldt-Universität, 1986. 103p | diss. | 103p |
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| | 70. | Hansen, Edward Allen | Anomaly in the Organ Fugue Subjects of J. S. Bach. PhD diss., Music. University of Washington 1965. 181p. | diss. | 181p |
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| | 71. | Hanson, J. | An Operational approach to a theory of rhythm. Yale Uni. 1969. | diss. |
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| | 72. | Magee, Noel Howard | Anton Reicha as theorist. PhD diss., Music theory: University of Iowa, 1977. 276p. | diss. | 276p |
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| | 73. | Holtzendorff, Peter B. | A parametric integration model for the analysis of late Baroque music: A tentative approach. MA diss., McGill University, 1997. 84p. Advisor: Bo Alphonce. | diss. | 84p |
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| | 74. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. | diss. | 92p |
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| | 75. | Thierbach, Sue Ellen Puyear | A pedagogical guide to selected violin concertos by Bach, Viotti, Goldmark, and Khachaturian. DA diss., Univ. of Northern Colorado, 1999. xxii, 286p. [Dissertation Number: UMI AAI9927749] [BWV 1042] | diss. | xxii, 286p |
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| | 76. | Morris, Ralph Eugene | A performance edition of Bach's violoncello suites, transcribed for viola. DMA diss., Arizona State University, 1991. 160p. | diss. | 160p |
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| | 77. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. N. Y.: The Juilliard School 1973. [BWV 1027-1029] | diss. |
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| | 78. | Isaacs, Azra | A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola. MMus diss., South African College of Music, University of Cape Town, 2014. 86p | diss. | 86p |
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| | 79. | Lim, Jungmook | A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture. DMA diss., University of Cincinnati, 2004. 77p. - Ann Arbor, MI: University Microfilms International, 2004. 79p. ISBN: 0-496-92945-3. UMI No. 3159799. [BWV 1011] | diss. | 77p |
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| | 80. | Dressler, Oscar Hugo | A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. DMA diss., Southwestern Baptist Theological Seminary. 1995. 165p. [see DissAbstracts p. 2896] | diss. | 165p |
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| | 81. | Watchorn, Peter | A Performer's Guide to the 'English Suites' of J. S. Bach, BWV 806-811. Boston University, 1995. 170p. UMI No. DA9533140 | diss. | 170p |
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| | 82. | Chien, Martin Ying-Tsai | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis. | diss. | 142p |
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| | 83. | Dixon, Michelle Garner | A performer's study of selected organ compositions by Johann Sebastian Bach. Diss. Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. | diss. |
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| | 84. | Kim, Mary Byung-Ae | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. DMA diss., Southern Baptist Theological Seminary, 2006. 158p. [BWV 84] | diss. | 158p |
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| | 85. | Singley, Henry Ellis, III | A Performer's Study of Three Multimovement Organ Compositions Representing Eighteenth-Century France, Eighteenth-Century Germany, and Twentiety-Century France: Boyvin, Bach and Duruflé. DMA diss., Southwestern Baptist Theological Seminary. 1995. x, 178p. [see DissAbstracts p. 2902] | diss. | 178p |
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| | 86. | Edwards, Mark Douglas | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p | diss. | 133p |
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| | 87. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7. | diss. | 151p |
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| | 88. | Cheng, Ephraim Ho-Yin | A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. DMA. University of Houston, 1998. 198p. Advisor: Matthew Dirst. | diss. | 198p |
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| | 89. | Montgomery, James L. | Application of Baroque organ articulation concepts to a wind-band transcription of J. S. Bach's Toccata and Fugue in D Minor, BWV 565. MMus. diss., California State Univ, Long Beach, 2000. 96 pp. Advisor: John Carnahan. | diss. | 96p |
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| | 90. | Leite, Zilei de Oliveira | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. MM diss., University of North Texas, 1995. 116p | diss. | 116p |
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| | 91. | Janson, Peter | Applicatio textus or dramma per musica? The function of the church cantatas by Georg Friedrich Kauffmann. PhD diss. University of Victoria, British Columbia. 1992. 323p. | diss. | 323p |
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| | 92. | Smith, Larry H. | A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. Univ. Rochester, Eastman School of Music, 1974. | diss. |
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| | 93. | Queiroz, Flavio Jose Gomes de | Aprendendo contraponto atraves dos preludios corais. [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996. | diss. |
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| | 94. | Canave, Paz Corazon G. | A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. PhD diss., Musicology, Washington: Catholic University of America, 1956. xv, 185p | diss. | xv, 185p |
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 | 95. | Lee, Yin-chieh | [A Research on Johann Sebastian Bach's 'Christmas Oratorio' Choral Selections.] MA diss., a university in Taiwan, 2011. 230p. [etd-0208111-092741] | diss. | 230p |
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| | 96. | Mehne, Wendy Ann | A Research/Performance Edition of Johann Sebastian Bach's Acknowledged Flute Sonatas. DMA diss., The University of Wisconsin - Madison, 1992, 352p. UMI DA9221923 | diss. | 352p |
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| | 97. | Metzler, Patrizia | Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. DMA diss., University of Illinois, Urbana-Champaign, 2007. 194p. Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-09694-8. Dissertation No: 3269978. | diss. | 194p |
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| | 98. | Arshagouni, Michael Hrair | Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. PhD diss., Musicology, University of California at Los Angeles, 1994. xv, 422 p. | diss. | xv, 422p |
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| | 99. | Crist, Stephen A. | Aria Forms in the Vocal Works of J. S. Bach, 1714-24. PhD diss., Musicology. Waltham, Mass: Brandeis Univ., 1988. xv, 337p | diss. | xv, 337p |
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| | 100. | Dressler, Carolyn Elizabeth | Armida abbandonata by George Frideric Handel. An edition reflecting the performance practice of the Baroque era. DMA diss.: University of Maryland, 1978. 61p. | diss. | 61p |
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| | 101. | Spelman, Leslie P. | Art and the Reformation: A Critical Study of the Effects of the Protestant Reformation on the Continental Arts of the Sixteenth and Seventeenth Centuries, and in Particular on the Organ Music of France and Germany up to the Time of J. S. Bach. PhD diss., Music, Claremont Graduate School, 1946. xiii, 284 Bl. | diss. | xiii, 284 Bl |
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| | 102. | Roseman, Molly Roberts | Arthur Loesser: Pianist, teacher, critic, author. DM diss., Florida State University, 1998. 128p. - Ann Arbor, MI: University Microfilms International, 1999. ISBN: 0-599-09802-3, Dissertation No: 9911448. | diss. | 128p |
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| | 103. | Kramer, Laura Elizabeth | Articulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance. DMA diss. Cornell University, 1998, 229p. (See DissAbstracts 59/04-A, 1002) | diss. | 229p |
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| | 104. | Uhl, Danny John | Articulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm. DMA diss., University of Kentucky, 1979. | diss. |
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| | 105. | Sabourin, Carmen | A Schenkerian study of J.S. Bach's two-part inventions presented in their original ordering. PhD diss., Music: Yale University, 1989. 244 p. | diss. | 244p |
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| | 106. | Mills, Ian | A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship. M.A. dissertation, Musicology, Queen's University, Belfast 2006. 67p. | diss. | 67p |
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| | 107. | Lee, Ming-Shung | A selected study of three variations by Bach, Beethoven, and Brahms. DMA diss., University of Cincinnati, 2003. 116p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-29715-0. Dissertation No: 3081864. | diss. | 116p |
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| | 108. | Owens, William Steven | A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. Louisville, Ky., The Southern Baptist Theological Seminary 1980. | diss. |
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| | 109. | Vieira, Yara Quercia | Aspectos tecnicos da partita n. 1 para violino solo de J.S. Bach. [Technical aspects of the partita no. 1 for solo violin by J.S. Bach] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1992. 91p. [BWV 1002] | diss. | 91p |
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| | 110. | Nash, Laura Roderic | Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. PhD diss., Music Theory, Yale University, 1990. | diss. |
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| | 111. | Toumpoulidis, Themistoklis D. | Aspects of musical rhetoric in Baroque organ music. PhD diss., University of Sheffield, 2005. x, 263p. | diss. | x, 263p |
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| | 112. | Satterfield, John R. | Aspects of style in the two-part Inventions as revealed by a study of accentuation. Chapel Hill: University of North Carolina. | diss. |
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| | 113. | Wyatt, Henry Drew | Aspects of Sublime Rhetoric in Eighteenth-Century Music. PhD diss., Rutgers, The State University of New Jersey - New Brunswick, 2000, 249p. - Ann Arbor, MI: University Microfilms International, 2000. ISBN: 0-599-61716-0. Dissertation No: 9958493. | diss. | 249p |
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| | 114. | Friedrich, Siegfried | Aspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung. PhD diss., Musicology. Universität für Musik und Darstellende Kunst, Wien, 2010. 610p. | diss. | 610p |
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| | 115. | Ide, Yumiko | A structural and stylistic analysis of selected inventions and sinfonias of Johann Sebastian Bach. EDD diss., New York, Columbia Univ. Teachers College, 1980. 257p | diss. | 257p |
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| | 116. | Seaton, Stuart Douglass | A Study of a Collection of Mendelssohn's Sketches and Other Autograph Material: Deutsche Staatsbibliothek Berlin, Mus. Ms. Autogr. Mendelssohn 19. PhD diss., Columbia University. 1977. 256 leaves. - Photocopy of typescript. Ann Arbor, Mich.: UMI, 1987. | diss. | 256p |
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| | 117. | Cho, Yoonju | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.) | diss. | 153p |
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| | 118. | Warburton, Ernest | A Study of Johann Christian Bach's Operas. DPhil diss., Music, Oxford University, 1969. 2 v. 324; 390 leaves. | diss. | 324, 390 Bl |
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| | 119. | Richards, Ruthann Louise | A Study of Johann Sebastian Bach's Orgelbüchlein and Eighteen Leipzig Chorales: Their Histories, an Analysis of the Treatment of the Chorale Melodies, and a Comparison of the Sets. MM diss., University of Cincinnati 1969. 91p. | diss. | 91p |
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| | 120. | Napier, Dione, J. | A Study of J.S. Bach's Sacred and Secular Vocal Works influenced by Popular Stylized Dance of the French Baroque Court: A Performer's Guide. DMA diss., University of Kentucky, 2014. v, 127p | diss. | v, 127p |
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| | 121. | Liao, Wei-Chun | A Study of Musical Rhetoric in J. S. Bach's Organ Fugues. DMA diss., University of Cincinnati, 2015. vii, 76p | diss. | vii, 76p |
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| | 122. | Lorince, Frank E. Jr. | A Study of Musical Texture in Relation to Sonata-Form As Evidenced in Selected Keyboard Sonatas from C. P. E. Bach through Beethoven. PhD diss., Theory, University of Rochester, 1966. 633 p. | diss. | 633p |
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| | 123. | Williamson, Barry Scott | A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). DMA diss., The University of Texas at Austin, 1993, 107p | diss. | 107p |
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| | 124. | Rudy, Helen E. | A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period. Tallahassee: Florida State University, 1973 | diss. |
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| | 125. | Kaashoek, Ruth | A study of the chromatic fantasy and fugue by Johann Sebastian Bach. MMus diss, Eastman School of Music, University of Rochester, 1951. v, 71p. | diss. | v, 71p |
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| | 126. | Minorgan, David Bruce | A study of the fugal imitative forms from their beginnings until the middle Baroque with special emphasis on those of southern Germany and Austria. MA diss., Musicology: University of Toronto, 1968. x,176 p. | diss. | x, 176p |
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| | 127. | Ray, Martha Elizabeth Park | A study of the German church cantata exclusive of Bach, 1650-1750. MM diss.: Florida State U., Tallahassee, 1969. | diss. |
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| | 128. | Davis, William Jerryl | A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works. DMA diss., Performance and music literature: Eastman School of Music, 1977. 290 p. | diss. | 290p |
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| | 129. | Jordahl, Robert Arnold | A Study of the use of the chorale in the works of Mendelssohn, Brahms, and Reger. PhD diss., University of Rochester, 1965. iv, 441p | diss. | iv, 441p |
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| | 130. | Bauer, Karen Tillotson | A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). DM diss., Northwestern University, 1998. xiv, 269p. - Ann Arbor, MI: University Microfilms International, 1998; Country of Publication. ISBN: 0-493-93158-9. Dissertation No: 3073495. | diss. | xiv, 269p |
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| | 131. | Lee, Jung-Ok | A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991) DMA diss., University of Iowa, 2013. viii, 89p. [BWV 659a, 639] | diss. | viii, 89p |
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| | 132. | Chay, Il-Soo | A stylistic and interpretive analysis of selected keyboard works of C.P.E. Bach. EdD, Columbia University, Teachers College, 1989. 248p. | diss. | 248p |
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| | 133. | Miron, Ruth Hannah | A stylistic and structural analysis of representative keyboard suites of Johann Sebastian Bach. EdD diss.: Columbia Univ. Teachers College, 1983. 266p. [DA 83-22229] | diss. | 266p |
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| | 134. | Ellefson, Randi von | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. DMA doc., Performance practice: Arizona State Univ., 1987. 140p. [DA 8805471.] | diss. | 140p |
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| | 135. | Holliman, Jamesetta H. | A Stylistic Study of Max Reger's Solo Piano Variations and Fugues on Themes by Johann Sebastian Bach and Georg Philipp Telemann. PhD diss., Performance, New York University, 1975. 97p. | diss. | 97p |
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| | 136. | Jones, Anita Joyce Gilstrap | A survey of organ works based on the motive B-A-C-H. University of Texas. Austin 1970. 106p. | diss. | 106p |
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| | 137. | Wang, Yu-Chi | A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysaÿe. DMA diss., University of Maryland, College Park, 2005. viii, 127p. - Ann Arbor, MI: University Microfilms International, 2005. ISBN: 978-0-542-25945-6. Dissertation No: 3184284. [BWV 1006] | diss. | viii, 127p |
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| | 138. | Kornfeld, Zoltán | A szvit mûfajának megjelenése Bach életmûvében, a gordonkára írt Hat Szólószvit elemzése (BWV 1007-1012). DLA értekezés, Pécsi Tudományegyetem Muvészet i Kar Doktori Iskola, 2012. 95p | diss. | 95p |
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| | 139. | Rapson, Penelope | A Technique for Identifying Textual Errors and its Application to the Sources of Music by Thomas Tallis. 2 vols. pp. x, 368, vi, 219p. Exx., Computer Programs. Garland, New York & London, 1989 [1990], ISBN: 0-8240-2023-5. (= Outstanding Dissertations in Music from British Universities) | diss. | x, 368; vi, 219p |
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| | 140. | Poglitsch, Michael | Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. Diplom-Arbeit. Wien: Hochschule für Musik und Darst. Kunst 1990. 128p. | diss. | 128p |
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| | 141. | Jäger, Rudolf | August Alexander Klengel und seine 'Kanons und Fugen'. Inaugural-Dissertation zur Erlangung der Doktorwürde vorgelegt der Hohen Philosophischen Fakultät der Universität Leipzig. 1929. 91p | diss. | 91p |
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| | 142. | Kelly, Laura Lynn | August Halm's Von zwei Kulturen der Musik: A translation and introductory essay. PhD diss., University of Texas, Austin. 2008. 257p. - Ann Arbor, MI: University Microfilms International, 2008. UMI Number: 3324856; ISBN: 978-0-549-77989-6. | diss. | 257p |
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| | 143. | Axmacher, Elke | 'Aus Liebe will mein Heyland sterben'. Untersuchungen zum Wandel des Passionsverständnisses im frühen 18. Jahrhundert. diss., Berlin (West): Kirchliche Hochschule, 1981. 245p. - Published from Neuhausen-Stuttgart: Hänssler, 1984. 257p. (= Beiträge zur theologischen Bachforschung, 2) | diss. | 245p |
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| | 144. | Lloyd, Rebecca Joanne | Bach among the conservatives: the quest for theological truth. PhD thesis, King's College London. 199p. | diss. | 199p |
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| | 145. | Cenciarelli, Carlo | Bach and Film in the Later Twentieth Century: Listening to the Goldberg Variations. PhD diss., King's College London, 2011. | diss. | 552p |
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| | 146. | Holborn, Hans Ludwig | Bach and Pietism: The Relationship of the Church Music of Johann Sebastian Bach to Eighteenth-Century Lutheran Orthodoxy and Pietism with Special Reference to the 'Saint Matthew Passion'. DMIN, School of Theology at Claremont, 1976. 180p. | diss. | 180p |
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| | 147. | Carruthers, Glen Blaine | Bach and the Piano: Editions, Arrangements and Transcriptions from Czerny to Rachmaninov. PhD Dissertation. University of Victoria. 1986. vi, 251p. | diss. | vi, 251p |
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| | 148. | Demers, Isabelle | Bach as Theologian; Motives, Key Structures and Accidentals in the St. John Passion. DMA diss. in Choral Conducting, Juilliard School, 2011. 240p. Advisor: Carl Schachter. | diss. | 240p |
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| | 149. | Kambara, Sonoko | Bach beyond the score: Clues to performance issues in Bach's keyboard music. DMA diss., 2005. University of Michigan. Ann Arbor, MI: UMI Research Press, 2005. Dissertation No: 0808465 [UMI says 'Summary of performance materials: Two programs of piano music, one pedagogical workshop and paper'] | diss. | 
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| | 150. | Fabrikant, Marina | Bach-Busoni Chaconne. A piano transcription analysis. DMA diss., The University of Nebraska, Lincoln, 2006. vi, 152p. - Ann Arbor, MI: University Microfilms International, 2006; ISBN: 978-0-542-61862-8. Dissertation No: 3212927. [BWV 1004/5] | diss. | vi, 152p |
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| | 151. | Tate, Elda Ann | Bach cantata movements suitable for flute transcription. 2 Vols. The Univ. of Texas at Austin, 1974. | diss. |
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| | 152. | Cooper, David Thomas | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley. | diss. |
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| | 153. | Knobel, Bradley James | Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources. DMA diss., College of Music, Florida State University, 2006. vii, 361p | diss. | vii, 361p |
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| | 154. | Stroh, Irene | Bach Ciaccona for Solo Violin: Hidden Chorales and Messages. A Creative Project, MMus. Ball State University, Muncie, Indiana, May 2011. 44p | diss. | 44p |
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| | 155. | Marchand, Guy | Bach et le nombre d'or ou la 'Passion selon Jean-Sébastien'. PhD diss., Universite de Montreal, 2000, xix, 433; 367p. [BWV 244, 997] | diss. | 795p |
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| | 156. | Yagi, Tomoko | Bach no Goldberg Hensokyoku no Kenkyu. [A Study on Bach's Goldberg Variations] MA diss., Gifu Seitoku Gakuen Daigaku, 1999. | diss. |
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| | 157. | Satake, Jun | Bach no kantata kenkyu: original shukofu ni miru sakkyoku, ensojo no shomondai. MA Dissertation - Kunitachi College of Music, 1978. 106p. [A Study on Bach's Cantata: some problems in the composition and performance seen in the original manuscript] | diss. | 106p |
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| | 158. | Groves, S. E. | Bach Pianists: a Performance History. DMA doc., The University of Texas at Austin, 1992, 116p. | diss. | 116p |
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| | 159. | Oechsle, Siegfried | Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. Habilitation, Musicology, Univ. of Kiel, 1996. (Kassel: Bärenreiter Verlag, in preparation, 400p.) | diss. |
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| | 160. | Scharf, W. A. | Bach's B minor mass: a study in interpretation. DMA dissertation, University of Rochester, Eastman School of Music, 1961. x, 334p. 6 fc. | diss. | x, 344p |
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| | 161. | Schwarze, Penny S. | Bach's cantata movements borrowed from his instrumental works. MA Dissertation - University of North Carolina, Chapel Hill 1979, xi, 174p. | diss. | xi, 174p |
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| | 162. | Spierings, Benedikt | Bachs derde partita voor vioolsolo in historisch, analytisch en interpretatief perspectief: Een werkbeschrijving. [The third partita for solo violin of Bach in a historical, analytical, and interpretative perspective: A description of progress] Lic (Musicology), Katholieke Universiteit Leuven, 2007. v, 95p. [BWV 1006] | diss. | v, 95p |
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| | 163. | Heinrich, Adel Verna | Bach's 'Die Kunst der Fuge': a Living Compendium of Fugal Procedures. DMA diss., Performance, University of Wisconsin, 1976. 371p. | diss. | 371p |
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| | 164. | Dowdle, Caroline | Bach's Goldberg variations: A study of technical and stylistic transferences to the piano. MMus diss., University of Cape Town, 1990. vii, 96p. | diss. | vii, 96p |
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| | 165. | Hughes, Jennifer | Bach's Keyboard music in England and Germany, 1770-1850. MA, diss., Leeds Univ. 1985. | diss. |
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| | 167. | Krey, Johannes | Bachs Orgelmusik in der Weimarer Periode. Diss., Jena Univ.. 1956, ii, 223 Bl. | diss. | ii, 223p |
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| | 168. | Macomber, Frank S. | Bach's re-use of his own music: a study in transcription. PhD diss. Humanities: Syracuse University, 1967. 660p Ann Arbor: University Microfilms. AAT 6805475. | diss. | 660p |
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| | 169. | Nic Athlaoich, Róisín | Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. MA diss., Musicology. Dublin: St. Patricks College, Dublin City University, 2007. | diss. |
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| | 170. | Markovska, Nadya | Bach's suites for solo cello (BWV 1007-1012) and the textual geographies of modernity. PhD diss., University of Southampton, 2016. 275p. | diss. | 275p |
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| | 171. | Foelber, Paul Frederick | Bach's treatment of the subject of death in his choral music. Washington: The Catholic Univ. of America Press 1961. 435p. | diss. | 435p |
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| | 172. | Scheibe, Beate | Bachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen. Magisterarbeit Kiel 1995, maschinenschr. | diss. |
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| | 174. | Feder, Georg | Bachs Werke in ihren Bearbeitungen 1750-1950: 1. Die Vokalwerke. Doctoral thesis. Christian-Albrechts Universität zu Kiel. - Kiel, Phil. F., Diss. v. 16. Dez. 1955 (Nicht f. d. Aust.) - 1955. 387 gez. Bl., mehr. Taf. [Maschinenschr.] | diss. | 387p |
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| | 175. | Speerstra, Joel | Bach, the pedal clavichord, and the organist. PhD, Goteborgs Universitet, 2000. ix, 241p. | diss. | ix, 241p |
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| | 176. | Carter, Adele Hall | Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. DMA diss., University of Maryland, College Park. 2006. ii, 4p. [3 chapters as recital performance on CD] | diss. | ii, 4p |
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| | 177. | Kianto, Mervi | Bach-tulkinta tyylin ja tradition valossa: J. S. Bachin Das Wohltemperierte Klavier II:n preludien ja fuugien n:o 17-24 pianotulkintojen vertailua. Helsinki: Helsingin yliopisto, 1977. [Pro gradu -tutkielma: Helsingin yliopisto, Musiikkitieteen laitos] | diss. |
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| | 178. | Yang, Junfeng | Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. [The genre characteristics and theological content of Bach's Mass in B minor] MA diss., Wuhan Yinyue Xueyuan, 2003. | diss. |
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| | 179. | Burk, James Mack | Band transcriptions of the organ music of Johann Sebastian Bach. A development of a methodology for transcribing, an appraisal of available transcriptions, and three model transcriptions. - Univ. of Oklahoma, Diss. 1967. 78p. in 2 vols. (Ann Arbor Univ. Microfilms 1967) | diss. | 78p |
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| | 180. | Schaap, Elizabeth Maria | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata in E minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996. | diss. |
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| | 181. | McIntyre, Dean B. | Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. PhD, Texas Tech University, December 1998. xii, 362p | diss. | xii, 362p |
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| | 182. | Huang, Fung-yin | Bartók's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. DMA doc., Ohio State U., 1994. ix, 120p. | diss. | ix, 120p |
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| | 183. | Dreyfus, Laurence Dana | Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. Univ. of Columbia 1980. 341p | diss. | 341p |
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| | 187. | Wenk, Alexander | Beiträge zur Kenntnis des Opernschaffens von J. Christian Bach. Diss., Frankfurt am Main, 1932. 138p. | diss. | 138p |
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| | 188. | Siedentopf, Henning | Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. PhD diss. Tübingen 1966. 135p (type written) | diss. | 135p |
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| | 189. | Rice, Karen M. | Beyond Third Stream: Henry Martin's Preludes and fugues for solo piano. DMA diss., University of North Carolina, Greensboro, 2009. vi, 170p. - Ann Arbor, MI: University Microfilms International, 2009. ISBN: 978-1-109-15645-4; Dissertation No: 3355977. | diss. | vi, 170p |
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| | 193. | May, Ernest Dewey | Breitkopf's Role in the Transmission of J. S. Bach's Organ Chorales. PhD diss., Princeton, N. J. 1974, 192p. | diss. | 192p |
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| | 194. | Schmitt, Kurt | Busoni als Pädagoge und Interpret. Dargestellt an seiner Bearbeitung der Klavierwerke J. S. Bachs. Univ. d. Saarlandes, Phil. F., Diss. v. 18. Febr. 1965. 195p. | diss. | 195p |
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| | 195. | Matthews, Joseph | Busoni's contributions to piano pedagogy. DMA diss., Piano literature and pedagogy: Indiana University, 1977. 120p. | diss. | 120p |
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| | 196. | Chabora, Robert Joseph | Canonic techniques of the 'Goldberg Variations', the 'Canonic Variations' and the 'Fourteen Canons' of Johann Sebastian Bach. DMA doc. diss., Performance practice: Univ. of Kentucky, 1988. iv, [iii], 202p. [DA 8822102.] | diss. | iv, [iii], 202p |
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| | 197. | Allison, Brian Jerome | Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... DMA diss., University of North Texas, 1982. 24p | diss. | 24p |
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| | 198. | Sanders, Reginald LeMonte | Carl Philipp Emanuel Bach and liturgical music at the Hamburg principal churches from 1768 to 1788. PhD diss., Yale University, 2001. 316p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-43837-8; 978-0-493-43837-5. Dissertation No: 3030822 | diss. | 316p |
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| | 199. | Dykema, Dan Harold | Carl Philipp Emanuel Bach's concerto in C, W.43, no. 6: A discussion and performance edition. DMA diss., University of Oklahoma, 1991. 265p | diss. | 265p |
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| | 200. | Genova, Gina | Carl Philipp Emanuel Bach's 'Neue Lieder-Melodien Nebst Einer Kantate Zum Singen Beym Klavier' (1789) and the development of the German Lied. MM diss., The University of Arizona, 1995. 228p. | diss. | 228p |
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| | 201. | Derr, Ellwood Shambaugh | Cefalo e Procri (London, 1776): Dramatic Cantata for Three Voices and Orchestra by Johann Christian Bach; Critical Edition with Performance Suggestions and Commentary. DMA diss., Composition, University of Illinois, 1968. 2 vols., i, 162p | diss. | i, 162p |
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| | 202. | Smith, Mark Mervyn | Certain aspects of Baroque music for violoncello as finally exemplified in the suites for unaccompanied violoncello by Johann Sebastian Bach. PhD Dissertation - Adelaide: Flinders University of South Australia 1983. vii, 187p with 3 cassettes. | diss. | 187p |
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| | 203. | Jenne, Natalie R. | Certain problems of rhythm and articulation in the performance of J. S. Bach's harpsichord music. DMA diss., Stanford Univ. 1967, 68p. | diss. | 68p |
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| | 204. | Hansell, D. J. K. | Changing structures in German organ music from 1600 to the death of J. S. Bach. MA diss., University of Durham, 1980. | diss. |
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| | 205. | Holden, Edward | Charles Valentin Alkan: Interpreting the Composer's use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. PhD diss., National University of Ireland Maynooth, 2014. xvii, 400p. | diss. | xvii, 400p |
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| | 206. | Boelcke, Andreas M. | Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. DMA diss., University of Cincinnati, 2008. xii, 81p. | diss. | xii, 81p |
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| | 207. | Kuo, Yi-Sy-Tieh | Chopin's Twenty-Four Preludes, Opus 28: Historical Background and Performance Considerations. MA diss., San Jose State University, 1998. xii, 111p. | diss. | xii, 111p |
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| | 208. | Anderson, Scott Eric | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454] | diss. | 126p |
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| | 209. | Peters, Mark A. | Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. PhD diss., University of Pittsburgh, 2003. xv, 384p. [BWV 103; 108; 87; 128; 183; 74; 68; 175; 176] | diss. | xv, 384p |
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